Kosmorama #274
Jakob Ion Wille maps the generic and formal qualities of the fashion film in his article:
Acclaimed directors lending their fame and signature style to the promotion of exclusive fashion brands is a staple of the fashion film. Josette Wolthuis takes aim at David Lynch’s approach in her article:
Fashion film combines art and advertisement, and – in some cases – an ideological agenda. Stina Resting analyses how the prestigious Italian brand Prada promotes women filmmakers and a feminist agenda with fashion films on their website:
