This issue of Kosmorama aims to broaden the conception of the Swedish “Golden Age” and to illuminate its impact on the neighboring film industries of Denmark, Norway and Finland.
Kosmorama #269 is published in collaboration with this years’ Pordenone Festival series, The Swedish Challenge, and guest edited by Casper Tybjerg.
Of Unknown Origin - Identity, Nationality, and Ethnicity in "Gipsy Anne" (1920)
The Woman's Point of View: "Thora van Deken" (1920)
A Swedish Renaissance: Art and Passion in Victor Sjöström's "Vem dömer" (1922)
Following the Swedish Model: The Transnational Nature of Finnish National Cinema in the early 1920s
Nordic Landscape Discourse in Scandinavian Silent Cinema: "Morænen", Nature, and National Characters.
Enjoy your read!